For me, when I look at photography, I also see it as art. I use colors, composition, and perspective and make them work together. I don't limit my thoughts on how I want to see an image, an attitude without limitations. As a New York Advertising Photographer, I encourage you to view my intimate photographs, see how I execute the stories I want to tell, recognizing I keep the beauty of history in mind. Showing you how erotic and sexual I want you to feel about yourselves.
Edward Weston, Helmut Newton, James Barnors, and Ansel Adams were the great masters of photography.
Ansel Adams's black and white landscape was so rich and full of tonal qualities. His creation of the zone system made his black and white images look like color images. These photographers are the real masters of modern-day photography.
Edward Weston's peppers' images and how he used shadows and lights to make those peppers look like art are amazing. I would urge most young or want photographers who want to learn lighting to view Mr. Weston's peppers' images.
James Barnor, Ever Young, a Ghanaian photographer based in London since the 1990s, his career spans six decades. Although his work was not widely known for much of that period, it has latterly been discovered by new audiences. In his street and studio photography, Barnor represents societies in transition in the 1950s and 1960s: Ghana moved toward Independence. He made me look at fashion through a more skilled eye, which I use .every day.
Finally, Helmut Newton freely photographed women in the book called Big Nude, created an illusion for me as if I was there. This master made me see the human body as the art we don't want to look at. The way each part of the individual body part connected is an art all by itself to show. That was the freedom of Helmut Newton.
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